<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>yu yang</title>
	<link>https://yu-yang.de</link>
	<description>yu yang</description>
	<pubDate>Wed, 24 Dec 2025 14:12:59 +0000</pubDate>
	<generator>https://yu-yang.de</generator>
	<language>en</language>
	
		
	<item>
		<title>Homepage</title>
				
		<link>https://yu-yang.de/Homepage</link>

		<pubDate>Wed, 24 Dec 2025 14:12:59 +0000</pubDate>

		<dc:creator>yu yang</dc:creator>

		<guid isPermaLink="true">https://yu-yang.de/Homepage</guid>

		<description>
	
	&#60;img width="5809" height="3873" width_o="5809" height_o="3873" data-src="https://freight.cargo.site/t/original/i/989daf199022b95d9695cc3d53c93c1f01e19ae33e1918cd4612c2f12405f1f1/DSC_0183-1_2.jpg" data-mid="251638300" border="0"  src="https://freight.cargo.site/w/1000/i/989daf199022b95d9695cc3d53c93c1f01e19ae33e1918cd4612c2f12405f1f1/DSC_0183-1_2.jpg" /&#62;With Every Step, the Boots Risk Being Thrown Off, 2025

Single-channel video, 24 min

The video was filmed on a shared massage chair in a shopping mall in China. 
Slient





	
	&#60;img width="5963" height="3975" width_o="5963" height_o="3975" data-src="https://freight.cargo.site/t/original/i/2b0c716afcbe37c9a5612fde36040113b9eccf701b6cb7417dd0ce2f5cab78da/DSC_0091.jpg" data-mid="246863791" border="0"  src="https://freight.cargo.site/w/1000/i/2b0c716afcbe37c9a5612fde36040113b9eccf701b6cb7417dd0ce2f5cab78da/DSC_0091.jpg" /&#62;

When You Are Back, I Will Kill a Sheep for You, 2026Three square handkerchiefs are placed over used alcohol sanitiser dispensers on grey pedestals.Dimensions variable







	
	
&#60;img width="4322" height="2884" width_o="4322" height_o="2884" data-src="https://freight.cargo.site/t/original/i/d665d14c0e0cc1a727fc13369631c285ad7f8582232271b4152636f8bf2504c5/31.jpg" data-mid="242139385" border="0"  src="https://freight.cargo.site/w/1000/i/d665d14c0e0cc1a727fc13369631c285ad7f8582232271b4152636f8bf2504c5/31.jpg" /&#62;


There will be a duel tonight, 2025

HD video, 15’59”, 2024 China National Day flowerbed footage, loop.

Audio, 8’31”, Kirsten Flagstad - Liebestod (Furtwängler 1952), loop.

Tiredness




	
	&#60;img width="4496" height="3000" width_o="4496" height_o="3000" data-src="https://freight.cargo.site/t/original/i/87e84c5014de6bb25dbd39072e0f211e9e0e447de4851f5543b17762cf7a1e8b/21.jpg" data-mid="242139396" border="0"  src="https://freight.cargo.site/w/1000/i/87e84c5014de6bb25dbd39072e0f211e9e0e447de4851f5543b17762cf7a1e8b/21.jpg" /&#62;

He once again felt the same restlessness of three days ago, 2025

Yellow surface with STO plastic barrel, two square scarves, wooden Baroque Alto Recorder in a transparent plastic bag

Dimensions variable





	
	&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/a3fff072ba739273722aad2a177be27149a5d13ea70362bb7ef8374115a3fb42/XIAOTU1.jpg" data-mid="242139436" border="0"  src="https://freight.cargo.site/w/1000/i/a3fff072ba739273722aad2a177be27149a5d13ea70362bb7ef8374115a3fb42/XIAOTU1.jpg" /&#62;An Invisible Tiger, 2024
Ink-print, glass, nails. I pressed my hand on a supermarket scale, and the weight displayed was that of a newborn tiger.

21 x 29.7 cm





	
	&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6e3647a23d704453a17a8be60e15ca4da329147baef38e0e6c484543d893806e/1.jpg" data-mid="242139476" border="0"  src="https://freight.cargo.site/w/1000/i/6e3647a23d704453a17a8be60e15ca4da329147baef38e0e6c484543d893806e/1.jpg" /&#62;

A
Stone Falls in My Ear, 2022Two-channel
video installation with sound, loopDimensions
variable



</description>
		
	</item>
		
		
	<item>
		<title>Information</title>
				
		<link>https://yu-yang.de/Information</link>

		<pubDate>Wed, 24 Dec 2025 14:12:59 +0000</pubDate>

		<dc:creator>yu yang</dc:creator>

		<guid isPermaLink="true">https://yu-yang.de/Information</guid>

		<description>
	
	





Yu Yang works across sculpture, moving image, and performance. He understands himself as a writer who works in the language of visual art. His work carries a quiet, elegiac quality. He is drawn to how a person lives inside a past they cannot fully grasp, unknowingly bearing its consequences and even, through their own actions, prolonging it, only to discover upon awakening that no original point remains to return to. This asymmetry between a person and the forces that have already shaped them is what gives his work its quiet, unplaceable sense of loss. In method, Yu Yang rarely states, letting meaning surface quietly on the viewer's side. His works often take the form of a loop, because the states they hold can never truly be completed or reconciled. This feeling, too, resists being traced to any single source, for the line between the past outside the body and the past the body carries within has long since become impossible to draw.




➜Instagram

➜Portfolio

➜
CV on request via email


➜ yuyang.works(at)gmail.com

</description>
		
	</item>
		
	</channel>
</rss>